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"larry (they/them)" capsule review

3/23/2025

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By Nadia Dalimonte
Picture
Laurence Philomène in LARRY (they/them) (2025)
Among the Canadian Film Festival (CFF) highlights, Catherine Legault’s LARRY (they/them) spotlights Laurence Philomène, a non-binary trans photographer based in Montreal. This intimate documentary explores Laurence’s inspired work through their empowering Non-Binary Portrait Series and ongoing autobiographical book called Puberty. The book features colorful, detailed self-portraits of Laurence in domestic spaces, as they undergo testosterone shots during their transition. LARRY (they/them) excels at amplifying the autonomy of non-binary storytelling and the power of unlearning what society has taught about gender and bodies. Legault infuses her second feature with a candid approach and crafts a tender experience. Her direction and writing create a safe space for honest expression, turning the lens inward to reflect Laurence’s self-care. LARRY (they/them) radiates a powerful sense of community. Given the intimacy of Legault’s filmmaking and Laurence’s candor, you feel completely present, as though you’re in the room with them. LARRY (they/them) uplifts one of the most inspiring voices of their generation as they find personal joy amidst hardships. The documentary premieres Tuesday, March 25 at 1:00 pm and will be preceded by Laura King's short film, Paper Lanterns.

Canadian Film Festival (CFF) runs from March 24-29, 2025 at Cineplex’s Scotiabank Theatre in Toronto.
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  • Home
  • About
  • Blog
    • Index
  • TIFF
    • 2022 >
      • 'Causeway' Review
      • 'The Lost King' Review
      • 'Wendell & Wild' Review
      • 'The Inspection' Review
      • 'The Menu' Review
      • 'Maya and the Wave' Review
      • 'The Grab' Review
      • 'Rosie' Review
      • 'Butcher's Crossing' Review
    • 2021 >
      • Debut Features Shine At TIFF 2021
      • 'The Guilty' Review
      • 'Spencer' Review
      • 'Scarborough' Review
      • 'The Power of the Dog' Review
      • 'Spencer' Capsule Review
      • 'Ste. Anne' Review
      • 'Quickening' Capsule Review
      • 'Aloners' Review
      • 'As In Heaven' Review
      • 'Petite Maman' Review
      • 'Silent Land' Review
    • 2020 >
      • TIFF 2020: Best of the Fest
      • 'Nomadland' Review
      • 'Shiva Baby' Review
      • 'One Night in Miami' Review
      • 'Beans' Review
      • 'Wolfwalkers' Review
      • 'No Ordinary Man' Review
      • 'Another Round' Review
      • 'Inconvenient Indian' Review
      • 'Pieces of a Woman' Review
      • 'Lift Like A Girl' Review
  • CFF
    • 2023 >
      • Review: Desi Standard Time Travel
      • Review: Babysitter
    • 2022 >
      • Review: Beneath the Surface
      • Review: Not My Age
    • 2021 >
      • Review: The Last Villains, Mad Dog & the Butcher
      • Review: Sugar Daddy
      • Review: White Elephant
      • Review: Woman In Car
  • FOFS
    • 2021 >
      • Review: Flower Boy
      • Review: Parlour Palm
      • Review: This Is A Period Piece
      • Review: Wash Day
  • Interviews
    • Kaniehtiio Horn on 'Ghost BFF'
    • Vanessa Matsui on 'Ghost BFF'
    • Macey Chipping on 'Mystic'
  • Contact