fofs 2022: "little sky" review

By @nadreviews

Wo Chan in "Little Sky" (2022)

     From June 17-26 at the Scotiabank Theatre in Toronto, the 2022 FOFS presented a showcase of Canadian short films that explored a range of subjects and complex storytelling. One of the shorts that premiered at this year's showcase was Jess X. Snow’s incredibly cinematic “Little Sky”. The short is executive produced by Andrew Ahn (director of “Fire Island,” “Driveways,” and “Spa Night”). "Little Sky" is about non-binary Chinese American drag sensation Sky (Wo Chan), who returns to their hometown to confront their estranged father. The film shows glimpses of Sky’s childhood memories through hazy flashbacks that give the viewer an idea of what their experiences were like within a nuclear family household. Their father can be seen in those tense moments. But the impact their father had has never truly left Sky. In the present day, those childhood memories haunt their frame of mind and feel difficult to shake. When Sky and their father finally meet face to face by surprise, the tensity is raw. As Sky emotionally reaches out to him, he fails to recognize them for who they truly are. Instead of attempting to understand, their father backs away in rejection of their child. Jess X. Snow tells this story (along with co-writer Moxie Peng) of identity from an intimate, consuming perspective. With a strong voice and resonating emotional core, “Little Sky” is a beautiful portrait of childhood memories that linger into adulthood. As well, a striking depiction of self-acceptance, chosen families, and the comfort of expression drag performances give to Sky.