Earth to Films
  • Home
  • About
  • Blog
    • Index
  • TIFF
    • 2022 >
      • 'Causeway' Review
      • 'The Lost King' Review
      • 'Wendell & Wild' Review
      • 'The Inspection' Review
      • 'The Menu' Review
      • 'Maya and the Wave' Review
      • 'The Grab' Review
      • 'Rosie' Review
      • 'Butcher's Crossing' Review
    • 2021 >
      • Debut Features Shine At TIFF 2021
      • 'The Guilty' Review
      • 'Spencer' Review
      • 'Scarborough' Review
      • 'The Power of the Dog' Review
      • 'Spencer' Capsule Review
      • 'Ste. Anne' Review
      • 'Quickening' Capsule Review
      • 'Aloners' Review
      • 'As In Heaven' Review
      • 'Petite Maman' Review
      • 'Silent Land' Review
    • 2020 >
      • TIFF 2020: Best of the Fest
      • 'Nomadland' Review
      • 'Shiva Baby' Review
      • 'One Night in Miami' Review
      • 'Beans' Review
      • 'Wolfwalkers' Review
      • 'No Ordinary Man' Review
      • 'Another Round' Review
      • 'Inconvenient Indian' Review
      • 'Pieces of a Woman' Review
      • 'Lift Like A Girl' Review
  • CFF
    • 2023 >
      • Review: Desi Standard Time Travel
      • Review: Babysitter
    • 2022 >
      • Review: Beneath the Surface
      • Review: Not My Age
    • 2021 >
      • Review: The Last Villains, Mad Dog & the Butcher
      • Review: Sugar Daddy
      • Review: White Elephant
      • Review: Woman In Car
  • FOFS
    • 2021 >
      • Review: Flower Boy
      • Review: Parlour Palm
      • Review: This Is A Period Piece
      • Review: Wash Day
  • Interviews
    • Kaniehtiio Horn on 'Ghost BFF'
    • Vanessa Matsui on 'Ghost BFF'
    • Macey Chipping on 'Mystic'
  • Contact

review: shiva baby

4/1/2021

0 Comments

 
By @nadreviews
Picture
Rachel Sennott in Shiva Baby (2021)
   Emma Seligman’s stunning debut feature Shiva Baby is a funny, invigorating, fully realized pressure cooker. Expanding on her short film of the same name, Seligman creates an anxiety-inducing experience in the most compelling of ways. She explores a young woman coming of age while facing family dynamics, traditions, sexuality, post-college pressure, and power shifts in relationships. The story is a day in the life of Danielle (Rachel Sennott), who attends a shiva (a mourning tradition in the Jewish community), where she runs into her sugar daddy Max (Danny Deferrari) and her ex-girlfriend Maya (Molly Gordon). Danielle’s hovering parents are also present, whisking her to meet so-and-so who can help her with such-and-such. Seligman tells an incredibly grounded and authentic story rooted in universal themes that resonate down to the tiniest details. Shiva Baby is a remarkable blend of comedy and drama, with hints of horror that add a layer of tension to the story.

    Shiva Baby takes place in one day, in real time, as Danielle swerves from one interrogative family encounter to another inside a crowded house. Her career path is in limbo. She is anxious about her future. She is unemployed and unmarried, at a family gathering, which immediately brings forth a relatable feeling. Figuring out who you are, while presenting another version of yourself to family members who have expectations of who you ought to be, is so easy to identify with as a young woman. There is an instantly relatable aspect in watching family members sink their teeth into a young woman’s future prospects and who she should become in their world. At the heart of this story is a multi-layered protagonist with an array of identities that are at odds with one another. With no escape from an endless line of questioning that follows Danielle nonstop, emotions build and her feverish anxiety rises. The drama and tension are conveyed to perfection by Rachel Sennott. In a brilliant performance so completely in tune with her character, Sennott gives a masterclass on how to embrace complexities, vulnerability, and lean into truthfulness.

    Danielle has a fascinating journey throughout the film; the power dynamics shift constantly as she tries to find her footing with certain characters. Maya and Max have a history with Danielle; the former knows her but hasn’t seen her in a long time, and the latter unexpectedly runs into her having just spent the morning with her. Seligman brilliantly maps out how all these characters discover where they stand with one another, and the answers change all the time depending on who has control. Shiva Baby has a fantastic balance of tone channeled through the extraordinary cast Seligman assembled. Sennott is surrounded by a pitch perfect ensemble, and everyone plays off one another so well with compelling chemistry. Polly Draper and Fred Melamed (who play Danielle’s parents) shine bright, as do Dianna Agron (who plays Max’s wife) and total scene-stealer Molly Gordon. The characterization is outstanding, and the quick witted screenplay gives the actors golden material to play with. The sense of humour is a delight, providing constant laughs and lines so great you must keep up because you won’t want to miss them.

    Shiva Baby infuses cool inspiration from the horror genre, through the use of playful jump scares and Ariel Marx’s wonderful horror score. These elements emphasize the panic swirling in Danielle’s mind as everyone closes in on her in a frenetic way. The music tracks the tension and anxiety so well, which constantly makes one question if any given moment will be the one where Danielle reveals what she’s been holding in. There are brilliant pressure cooker moments sprinkled throughout, with one particularly feverish scene towards the end that feels like being inside Danielle’s racing heartbeat. Emma Seligman has a deeply resonating and lovable debut feature under her belt. Shiva Baby fires on all cylinders and leaves behind a lot of anticipation for Seligman’s next project.
0 Comments



Leave a Reply.

    Archives

    April 2025
    March 2025
    February 2025
    January 2025
    December 2024
    November 2024
    October 2024
    September 2024
    August 2024
    July 2024
    June 2024
    May 2024
    April 2024
    February 2024
    October 2023
    September 2023
    July 2023
    June 2023
    May 2023
    April 2023
    March 2023
    February 2023
    January 2023
    October 2022
    September 2022
    August 2022
    July 2022
    June 2022
    May 2022
    April 2022
    March 2022
    February 2022
    January 2022
    December 2021
    November 2021
    October 2021
    September 2021
    August 2021
    July 2021
    June 2021
    May 2021
    April 2021
    March 2021
    February 2021
    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020

    Categories

    All

    RSS Feed

Proudly powered by Weebly
  • Home
  • About
  • Blog
    • Index
  • TIFF
    • 2022 >
      • 'Causeway' Review
      • 'The Lost King' Review
      • 'Wendell & Wild' Review
      • 'The Inspection' Review
      • 'The Menu' Review
      • 'Maya and the Wave' Review
      • 'The Grab' Review
      • 'Rosie' Review
      • 'Butcher's Crossing' Review
    • 2021 >
      • Debut Features Shine At TIFF 2021
      • 'The Guilty' Review
      • 'Spencer' Review
      • 'Scarborough' Review
      • 'The Power of the Dog' Review
      • 'Spencer' Capsule Review
      • 'Ste. Anne' Review
      • 'Quickening' Capsule Review
      • 'Aloners' Review
      • 'As In Heaven' Review
      • 'Petite Maman' Review
      • 'Silent Land' Review
    • 2020 >
      • TIFF 2020: Best of the Fest
      • 'Nomadland' Review
      • 'Shiva Baby' Review
      • 'One Night in Miami' Review
      • 'Beans' Review
      • 'Wolfwalkers' Review
      • 'No Ordinary Man' Review
      • 'Another Round' Review
      • 'Inconvenient Indian' Review
      • 'Pieces of a Woman' Review
      • 'Lift Like A Girl' Review
  • CFF
    • 2023 >
      • Review: Desi Standard Time Travel
      • Review: Babysitter
    • 2022 >
      • Review: Beneath the Surface
      • Review: Not My Age
    • 2021 >
      • Review: The Last Villains, Mad Dog & the Butcher
      • Review: Sugar Daddy
      • Review: White Elephant
      • Review: Woman In Car
  • FOFS
    • 2021 >
      • Review: Flower Boy
      • Review: Parlour Palm
      • Review: This Is A Period Piece
      • Review: Wash Day
  • Interviews
    • Kaniehtiio Horn on 'Ghost BFF'
    • Vanessa Matsui on 'Ghost BFF'
    • Macey Chipping on 'Mystic'
  • Contact